Artistic Visualization Of Senja Dengan Dua Kelelawar Script By Kirdjomulyo Through Herry Dim's Art Creation Method

Authors

DOI:

https://doi.org/10.20111/terob.v14i2.59

Keywords:

visualisasi, elemen dan unsur tata artistik, naskah cerita, desain visual tata panggung

Abstract

The stage serves as a barrier between the artists and the audience, therefore theatrical activities are inextricably linked to it. In order for a theatrical performance to flow smoothly and for the audience to engage with the performers, the stage is a crucial component. Through artistic communication, aesthetic value is created. In the end, this serves as the foundation for artistic endeavours involving the visualization of artistic arrangements on stage. In order for the artistic arrangement in a performance to become more than just a connected component and instead become a whole theatrical production, the director and artistic director must also be able to give meaning to the various elements. Through the visual medium of performing arts, the audience can be given aesthetic gratification through the implementation of a comprehensive creative arrangement. In addition to using Herry Dim's method of art creation, this piece employs a representational theatre style performance approach with accurate and naturalistic environmental descriptions. The artistic arrangement of the script "Senja degan Dua Kelelawar" is another goal in the development of this piece of theatre art. The developed concept was then utilized to visualize the artistic layout of the script Senja degan Dua Kelelawar" and create works of art by combining different parts and elements of the artistic layout that ultimately resulted in a performance. Hence,  it can deliver a visually stunning and harmonic performance on stage

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Published

2024-05-06

How to Cite

purnomo, heny, hari pramono, koko, & Indar Moslem, M. D. (2024). Artistic Visualization Of Senja Dengan Dua Kelelawar Script By Kirdjomulyo Through Herry Dim’s Art Creation Method. Terob : Jurnal Pengkajian Dan Penciptaan Seni, 14(2), 58–67. https://doi.org/10.20111/terob.v14i2.59

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Articles