Terob : Jurnal Pengkajian dan Penciptaan Seni https://terobjournal.stkw-surabaya.ac.id/index.php/jtr <p style="text-align: justify;"><strong>Terob</strong> is a scientific journal that contains research results in the field of art assessment and creation. This journal is published twice a year (April and October) with a focus and scope on the study and creation of art. Terob is managed and published by STKW Surabaya.</p> <p style="text-align: justify;">From vol 13 onwards, the submission process uses the new web on this page. While the old web on the <a href="https://www.jurnalterob.stkw-surabaya.ac.id/index.php/TEROB" target="_blank" rel="noopener"><strong>old webiste</strong></a> is no longer used (view <a href="https://terobjournal.stkw-surabaya.ac.id/index.php/jtr/history" target="_blank" rel="noopener"><strong>journal history</strong></a>).</p> Sekolah Tinggi Kesenian Wilwatikta Surabaya en-US Terob : Jurnal Pengkajian dan Penciptaan Seni 2721-4869 Creating Personal Expressions In Expanded Drawing Artworks Through A Synectic Approach https://terobjournal.stkw-surabaya.ac.id/index.php/jtr/article/view/55 <p>Expanded drawing is an investigation of the evolution of drawing techniques and media/materials that have given artists the freedom to experiment, venture outside of their comfort zones, and change their routines. Extended drawing offers difficult activity engagements by fusing media and techniques with imaginative concepts. It also expands and reframes traditional drawing disciplines and approaches to produce works with a vibrant, modern personality. To create works that allude to distinctive traits and processes, media and technique development is done while keeping a larger context in mind. New media or media that has been used frequently are both used in this process. With its ability to create a dynamic and imaginative arena, Drawing Expanded is full of exploration, responding to medium and drawing styles in accordance with the concept being created. Expanded drawing is a new definition that arises from redefining, based on the individual's choice of media and technique as well as the environment. American artist Robert Morris first used the word in 1946 to describe a three-dimensional approach outside galleries that highlighted the value of creative exploration and interaction with materials, media, techniques, locations, and ideas.</p> mufi mubaroh Mohamad Arifin Copyright (c) 2023 mufi mubaroh, Mohamad Arifin https://creativecommons.org/licenses/by-sa/4.0 2023-10-31 2023-10-31 14 1 24 34 10.20111/terob.v14i1.55 Transformation In Virtual Dance: The Existence Of Dance In The Dance Art Study Program https://terobjournal.stkw-surabaya.ac.id/index.php/jtr/article/view/53 <p> <span class="fontstyle0">The article </span><span class="fontstyle2">"Transformation in Virtual Dance: The Existence of Dance in the Dance Art Study Program "</span><span class="fontstyle0">explained the change that occurs when a dance work performed on a performance stage is artistically transformed into a virtual dance work. This study employed a qualitative ethnographic methodology along with methodologies from observation, interviews, and literature study to explore the idea of metamorphosis in dance works. Following the completion of this research, it was evident that there had been a change in the character, situation, and presentation of virtual dance works in terms of form and presentation. The character feels light and instant while the situation clarifies that the virtual dance work can be viewed anytime, anywhere, and under any circumstances. The dance work's form is realized through editing a video recording document</span> </p> iwayan sama Copyright (c) 2023 iwayan sama https://creativecommons.org/licenses/by-sa/4.0 2023-10-31 2023-10-31 14 1 1 14 10.20111/terob.v14i1.53 Star Sticker Rewards' Influence On Group B Children’s Arts Learning Discipline At The Dharma Wanita Kindergarten Bendunganjati https://terobjournal.stkw-surabaya.ac.id/index.php/jtr/article/view/56 <p><em>The discipline of group B students at the Dharma Wanita Bendunganjati Kindergarten, which had not developed effectively, served as the driving force for this study. The pretest findings, which indicate that 12 of the 19 children's disciplines still meet the criterion for not progressing, are evidence of this.</em></p> <p><em>An experimental research model is combined with a quantitative research method to conduct this study. One group pretest-posttest, or one group study with a sample of 19 children, was the type of experiment that was used in this work.</em></p> <p><em>This is evident from the average improvement in children's discipline before and after therapy, which is 26.6 to 55.1, based on the research results, sig &lt; 0.05, or 0.000. Therefore, H0 is refused, and H1 is approved, indicating that rewarding children with star stickers impacts their behavior both before and after therapy. Based on the conducted research, it can be inferred that rewarding group B children at Dharma Wanita Bendunganjati Kindergarten with star stickers affects their behavior.</em></p> nahdiyatul ummah Syifa Fauziah Copyright (c) 2023 nahdiyatul ummah, Syifa Fauziah https://creativecommons.org/licenses/by-sa/4.0 2023-10-31 2023-10-31 14 1 41 47 10.20111/terob.v14i1.56 The Impact Of Art Puzzle On Preschool Children's Autonomy In Kb Hidayatul Islam Pakuniran Probolinggo https://terobjournal.stkw-surabaya.ac.id/index.php/jtr/article/view/54 <p><em>This study discusses the</em><em> impact</em><em> of a puzzle to increase the </em><em>autonomy</em><em> of early childhood at </em><em>KB </em><em>Hidayatul Islam Probolinggo. This study aims to assist teachers in increasing children's </em><em>autonomy</em><em> with</em><em> a</em><em> puzzle.</em><em> This</em><em> type of research uses a quantitative research method. This research was carried out at KB Hidayatul Islam Probolinggo with all teacher and student councils as subjects. Researchers carried out observations, tests, and data analysis documentation using statistical data analysis techniques to obtain this data. The data collected was in the form of pretest and posttest scores. The results of this study indicate that puzzles done correctly can </em><em>boost</em><em> early childhood </em><em>autonomy</em><em>. </em><em>It is also</em> <em>essential to pay attention to the processes involved in adopting puzzles to improve children's independence so they are pleased, cheerful, and always</em> <em>autonomous.</em></p> <p>&nbsp;</p> Jihan Kusuma Riska Apriliya Copyright (c) 2023 Jihan Kusuma, Riska Apriliya https://creativecommons.org/licenses/by-sa/4.0 2023-10-31 2023-10-31 14 1 35 40 10.20111/terob.v14i1.54 Contemporary Art On Fashion In Jember Fashion Carnaval (2016-2021) https://terobjournal.stkw-surabaya.ac.id/index.php/jtr/article/view/57 <p><span class="fontstyle0">As a fashion show that includes members of all societal strata, Jember Fashion Carnival (JFC) is regarded as a must-attend<br />cultural event in East Java. In modern civilization, fashion is used as a means of communication to express social, cultural, and<br />personal identity. Art and fashion share many similarities in how they portray or convey feelings, expression, amusement, and being<br />presented. The term experimental, a subset of contemporary art, has its roots in the creation of clothing that pushes the boundaries<br />of both fashion and performance art, or as it is known in the language of fashion, the avant-garde. This study intends to<br />ascertain the evolution of contemporary art at JFC as well as the impact of contemporary art on fashion at JFC events, particularly<br />from 2016 to 2021. The data gathered were examined inductively as a cultural inquiry utilizing ethnographic techniques. The visual<br />cultural portion includes shape, color, texture, fashion, and the arts. Regarding poetry and how to develop and connect ideas, the<br />aesthetics of art and fashion are similarly similar. Avant-garde fashion is contemporary art applied, yet one might also say that<br />fashion is a costume in contemporary art. In JFC, the focus is on the artists' creative processes, and how innocence and wildness in<br />their work emerge. They also receive guidance and instruction on creating, applying makeup, walking, and dancing.<br />The Jember Fashion Carnival not only has a theme but also emphasizes the theatricality and soul of the costumes. Values, excitement, and motivation to create fashion pieces fuel the carnival's rebirth. In addition, each theme also incorporates components of values, culture, humanism, compassion, and openness to different viewpoints. </span></p> Bramantijo Bramantijo Rose Aprilia Lani Kartini Copyright (c) 2023 Bramantijo Bramantijo, Rose Aprilia Lani Kartini https://creativecommons.org/licenses/by-sa/4.0 2023-10-31 2023-10-31 14 1 15 23 10.20111/terob.v14i1.57