Creating Personal Expressions In Expanded Drawing Artworks Through A Synectic Approach

Authors

  • mufi mubaroh Sekolah Tinggi Kesenian Wilwatikta
  • Mohamad Arifin Sekolah Tinggi Kesenian Wilwatikta Surabaya

DOI:

https://doi.org/10.20111/terob.v14i1.55

Keywords:

Expanded Drawing, Technique, Explorative

Abstract

Expanded drawing is an investigation of the evolution of drawing techniques and media/materials that have given artists the freedom to experiment, venture outside of their comfort zones, and change their routines. Extended drawing offers difficult activity engagements by fusing media and techniques with imaginative concepts. It also expands and reframes traditional drawing disciplines and approaches to produce works with a vibrant, modern personality. To create works that allude to distinctive traits and processes, media and technique development is done while keeping a larger context in mind. New media or media that has been used frequently are both used in this process. With its ability to create a dynamic and imaginative arena, Drawing Expanded is full of exploration, responding to medium and drawing styles in accordance with the concept being created. Expanded drawing is a new definition that arises from redefining, based on the individual's choice of media and technique as well as the environment. American artist Robert Morris first used the word in 1946 to describe a three-dimensional approach outside galleries that highlighted the value of creative exploration and interaction with materials, media, techniques, locations, and ideas.

References

Abbot,Edward.2004.Poepav https://www.researchgate.net/publication/330709055_KARYA_SENI_INDONE SIA_SEBAGAI_OBJEK_PERLINDUNGAN_HAK_CIPTA_JANGKAUAN_D

AN_PERMASALAHAN/fulltext/5c505f5f299bf12be3eb889c/KARYA-SENI- INDONESIA-SEBAGAI-OBJEK-PERLINDUNGAN-HAK-CIPTA- JANGKAUAN-DAN-PERMASALAHAN.pdf

Becker. Howard S. (1982) dalam bukunya "Dunia Seni" Chicago,Ilionis-Amerika Bormann, EG. (1985) Journal of communication, convergence theory of

shared fantasies

B.S. Myers, (1961).Understanding The Art, Reinhart & Winston, New York

Dkk, Hassan (1981) Pusat Pembinaan dan Pengembangan Bahasa Departemen Pendidikan dan Kebudyaan Jakarta.

Handayani, T.S. 2005. Fantasy in joanne Kathleen Rowling’s Harry Potter and the Sorcerer’s Stone. Yogyakarta: English Language and Literature Departement, Yogyakarta State University.

Jacobs, James and Tunnel, Michael. 2000. Children’s Literature Briefly. New Jersey.

Prentice Hall

Mitchell, Diana. 2003. Children’s Literature: An Invitation to the world. New York: AB Publishing

Purbani, Widyastuti. (2007). Jurnal Imaji. Vo1.5, No. 1. Februari, Yogyakarta

Read, Herbert. (2000). The Meaning of Art, dalam Soedarso SP. Yogyakarta : Duta Wacana University Press, Yogyakarta

Sachari, Agus. (2000). Sejarah Perkembangan Desain dan Dunia Kesenirupaan, Institut Teknologi Bandung

Stewig, John. 1980. Children’s Literature. Chicago. Rand McNally Publishing Company Susanto, Mikke. (2010). Diksi Rupa; Kumpulan Istilah Seni Rupa, Kanisius,

Yogyakarta.

Tedjoworo, Hadrianus. (2001). Fenomenologi imaji dalam seni Universitas Parahyangan; Bandung.

Vasques. GM. 2009 A Homo Narrans Paradigm for Public Relations; Combining Bormann’s Symbolic Convergence Theory and Grunig’s Situational Theory of Publics, Journal of Public Realtions Research.

Webtografi :

https://www.babla.co.id/bahasa-inggris-bahasa-indonesia/expand https://kbbi.web.id/fantasi

kbbi.kemdikbud.go.id

http://senialgani.blogspot.com/2017/09/sejarah-menggambar-sebagai-bentuk-seni.html https://www.modernartprojects.org/project/drawing-in-the-expanded-field

Downloads

Published

2023-10-31

How to Cite

mubaroh, mufi, & Arifin, M. (2023). Creating Personal Expressions In Expanded Drawing Artworks Through A Synectic Approach. Terob : Jurnal Pengkajian Dan Penciptaan Seni, 14(1), 24–34. https://doi.org/10.20111/terob.v14i1.55

Issue

Section

Articles