TRANSFORMATION IN VIRTUAL DANCE: THE EXISTENCE OF DANCE IN THE DANCE ART STUDY PROGRAM

The article "Transformation in Virtual Dance: The Existence of Dance in the Dance Art Study Program " explained the change that occurs when a dance work performed on a performance stage is artistically transformed into a virtual dance work. This study employed a qualitative ethnographic methodology along with methodologies from observation, interviews, and literature study to explore the idea of metamorphosis in dance works. Following the completion of this research, it was evident that there had been a change in the character, situation, and presentation of virtual dance works in terms of form and presentation. The character feels light and instant while the situation clarifies that the virtual dance work can be viewed anytime, anywhere, and under any circumstances. The dance work's form is realized through editing a video recording document.


INTRODUCTION
Audio and video recordings of previously owned dance performances are packed through editing by the length of the social media presentation period.
Several virtual dance performances surfaced on social media via YouTube, although the packaging and editing outcomes fell short of expectations.This is because the requirements for performances on (virtual) screens are not met to the same extent as those for stages.
It is necessary to do a dance creation procedure that complies with virtual screening guidelines as the next phase.
Several technologies must be ready to     To the extent that a document is to be utilized in an application or as a stand-in for a live event, specific requirements must be met before it may be created.The phrases mentioned mention machinery that can turn live events into virtual ones.

Spaces
Virtual performances are live performances that take place virtually but are similar to real performances.

Preparing the Storyboard
A storyboard is a collection of sketches that show the shots intended to be in a video, film, or advertisement.As much documentation as feasible is gathered for an existing storyboard to improve the document/editing archive.

2). Transformation in Presentation
The presentation of virtual dance works can be watched on screens 1 , including television, video, cell phones and other electronic media.The dance performance is broadcasted using electronic (digital) equipment through a recording device with an editing process, allowing an infinite number of performances to be seen simultaneously but in different locations.The dance has been performed, but the performer no longer displays it since it was recorded and edited into a broadcast version.In this way, virtual dance performances are timeless and can be shown whenever the broadcast material is available.Broadcast content can be distributed globally, duplicated indefinitely, and owned by anyone (with some restrictions).

Transformation in Dance Work
Suppose Overall, it is flexible and can be stopped, resumed, or continued at will.The size and quality of the media device, which affects the image quality, play a significant role in determining the situation in virtual dance works.Each object's stance on the screen appears more spectacular and clear with the broader and higher-quality electronic media.The presentation shows the character change, which is instantaneous in taste.

CONCLUSION
However, the scope and calibre of social media tools significantly impact the personality of virtual dance works.Since the broadcast can be replayed endlessly, the character of virtual dance works is instantaneous with a stronger and more substantial taste.Anyone accustomed to digital virtual gadgets will be intrigued by the character of virtual dance works.In Everything is done individually to let the glitzy, beautiful, hidden nature be enjoyed and appreciated in peace.
a policy known as Large-Scale Social Restrictions (PSBB).The entire community is asked to employ physical and social seclusion, wash hands often with soap or hand sanitizer liquid, wear masks and transparent face coverings (facial shields) to prevent transmission and conduct all activities at home.All business-related, economic, social, cultural, and religious activities involving the gathering of people have come to an end.All open-air events involving sizable crowds are forbidden.As a result, since it must be done in each other's houses, the circulation and control of trade, governance, worship, and education have temporarily ceased in the public sphere.Extremely silent and lonely due to conversations, activities, and direct communication.Communication technology is being widely discussed at this crucial time and is consequently being studied by many people to be immediately proficient.People and organizations stutter as they begin to identify and learn the information and communication technology applications that best meet their needs.Not to mention the instructors, lecturers, and professors eager to study, master, and promptly integrate technology into learning activities.The necessity for a professional existence is what motivates this.The STK Wilwatikta Surabaya Dance Arts Study Program (hence referred to as the dance study program) seeks to become proficient in technology applications connected to its professional existence to not fall behind in learning and employment.Google Meet, Google Classroom, and Zoom Meeting are all associated with the learning process intended to be mastered.The use of this technology allows for the continuation of the learning process.In contrast, the studio practice course uses a hybrid approach to learning, switching between small-scale online and offline activities.The Dance Art Study Program, in collaboration with the Technical Management Unit (UPT) Empowerment of the Wilwatikta Surabaya Arts and Creative Economy Institution and with the support of the East Java Province Culture and Tourism Office, developed a Virtual Dance program to prevent or vacuum the existence of work exposure.Digital technology has transformed how dance performances, often done live on stage, are exposed.Communal dance pieces no longer exist in live performances in front of a large audience but through virtual media.

Figure 3 .
Figure 3. Performance of the dance drama "Sumpah Palapa" on the large stage of the Taman Candra Wilwatikta Amphitheater welcoming guest President Susilo Bambang Yudhoyono

Figure 2 .
Figure 2. Dance drama performance entitled "East Java Develops or Jawa Timur Membangun" in the courtyard of the Gahadi State Building commemorating the Independence Day of the Republic of Indonesia in 2022

Figure 4 .
Figure 4. "Angrok" dance work produced in the exam for the Creativity and Composition of Dance Choreography course, the embryo of the student's final assignment entitled "Ken Angrok" www.youtube.com/watch?v=USQvoB2dItk) photos, 1080p or full HD megapixel power is required.However, if you want more, all of the aforementioned types and brands of recording cameras have cameras with auto images of more than 1080 megapixels that can produce photos, audio, and the maximum mobility of captured objects (special) (Rosandy, 2023 June 7).
The front centre point, the front right point, and the front left point are often where the camera is situated to take images of dance performances.The stage size affects how close the camera is to the performer.The camera is situated back at least three meters from the stage line on stages used for television productions and the like.Figures6, 7, 8, and 9 show how the large stage positions the camera in the ideal location before playing a zoom game to capture the greatest shot.

Figure 5 .
Figure 5. Example of a storyboard that depicts a global sketch of a scene sequence plan that will be used as a guide for making films, videography and/or animation Detik.com

Figure 7 .F
Figure 7.The image is taken by the camera from the front point Documented by Novy Rosandi 2021 Due to the COVID-19 epidemic, the Dance Study Program tried to preserve access to dance works by turning stage performances into online shows.Documents in the form of scene fragments from dance works are created by recording changes.Recording using a second camera (video camera) with 1080p or full HD megapixel power specs.The front point of the stage, the right-side point, and the left front of the stage are the three placement places for recording cameras, respectively.Long shots, extremely long shots, and close-up shots are all possible when shooting.Following the recording, the results of the editing process are packed.A dance work on a performance stage is transformed into a virtual dance piece by modifying the choreography, presentation, character, and environment.Transformation of the surface structure of things through broadcasts in the media.The shooting system, which directs the strength of the image to the viewer's attention and enjoyment, preserves the dance's conceptual form (Deep Structure) or content.Since it travels via the broadcasting process, the presentation's change in form-which was once direct in the actual stage performance-is now visible through the screen.As long as the broadcast material documents can still be accessed via social media and/or are held by people, organizations, or enterprises, the presentation may be repeated countless times.Anybody, anywhere, at any time, and in any setting, can provide the presentation.
likely to reject it.The COVID-19 pandemic, which caused the stagnation of all human activities, including the arts and culture, caused the change in the situation, thus, it was required to change exposure from live performances on the performance stage to digital virtual dance works.Since virtual dance performances occur among individuals in private settings at all hours of the day and under all circumstances, no enormous audiences are present.

Existence of dance work in the Dance Study Program
RESULTSA.